Some Instants Before
April 5th, 2016
Before Areia and I went to Matthiessen State Park to shoot we took a bit of time and did some instant photos using my Speed Graphic and some of the last of Fuji’s 3000 speed black and white film. I’m going to really miss that film. It has a tonal quality that is unique.
These are quick and dirty scans from the original instant prints. You can’t really appreciate the richness of the tones from a scan that is reduced and presented on the web. It’s a shame. But, I guess in this digital age this film is really an artifact of photo history. There clearly was no place for it in the future of photography.
But I did manage to catch a bit of the sparkle that Areia brings to the world.
And she, of course, also brings lots of beauty and charm. Thanks Areia. I still have just a few packs of Fuji 3000 to shoot…and there are other photos I did with it after these. So you will be seeing more of it on here soon.
Another Day at Matthiessen
March 10th, 2016
I did a second day of shooting at Matthiessen State Park with a model who was doing her first ever nude shoot outdoors. I think it was something she had wanted to do for a long time, and she finally got the courage to go ahead and do it. I think Areia did a great job.
There was a little bit of a problem when we were working in the location for the photo below. Seems that, invisible to me from the distance, Areia noticed a slug on the rocks. She is not a fan of creatures of that sort, to put it mildly. I thought for a minute that she was going to hyperventilate so much that she’d pass out and I’d have to go rescue her. But she overcame her aversion and soldiered on with the shoot. I think when the day was done she felt that it was worth it, slug and all. Oh, the many hazards of outdoor figure work.
Thank you Areia.
The Magazines Have Arrived
March 1st, 2016
The contest issue of French PHOTO magazine has finally appeared on newsstands here in the US. This is actually a little sooner than sometimes in the past. As I’ve already mentioned in an earlier post, I once again have a photo in this issue where they publish all the winners of their annual contest. I was very pleased this year that most of the photos I entered were selected as finalists in what they say is the largest photo contest in the world. As it says on the cover above, they had more than 50,000 entries from more than 70 countries.
That’s the photo they chose for the magazine above. I’m very proud that of the 12 photos I entered in this contest, 11 made it through the judging process to become finalists. The magazine has a policy that only one photo from a photographer can be a winner and appear in the magazine. So it’s pretty special to know that they had to chose just one of the 11 of mine that were finalists for the magazine. Any one of those 11 photos would have been equally deserving of publication.
Because of that fact, I thought I’d present for you the other 10 finalists:
Thanks to all the wonderful models who made those photos possible: Theda, Areia, Ayn, Stevie, Bunny, Kelsey and Lilith.
Here’s a quick snapshot of the actual page in the magazine with the photo. Yes, they cropped it. They always just crop everything to fit:
Out of the 404 winners of the contest who were published in the magazine, only 20 were Americans. I’m also proud that of those, two of them are friends of mine. Here are their photos in the magazine:
And Sita Mae:
Hanging In Trees
February 27th, 2016
I’ve been escaping winter by hanging out at Edisto Island in South Carolina. It’s been cold for the south, but nice and warm compared to Ohio.
I was with several friends, including one who has modeled for me in the past and is one of my all-time favorite models. She’s not modeling any more, but we couldn’t resist doing a few nudes during a hike on a warm morning.
I’ve been thinking a lot about Anne Brigman lately. So her work is affecting mine right now. I think it’s a pretty positive influence.
More From Matthiessen
February 24th, 2016
When I shot at Matthiessen State Park I had the great fortune to be able to work with Claudine as well as Kelsey. It was a sunny day, which presented some challenges, but the new digital cameras handle sun and shade a lot better than those from a few years ago.
But with these two lovely ladies to work with me, it was certain to be a fine day, no matter the weather. Thank you ladies.
Kelsey At Matthiessen
February 13th, 2016
Outside Chicago and adjacent to Starved Rock State Park is Matthiessen State Park. It’s not quite as interesting as Starved Rock, but does present some good photo opportunities. I visited there with the amazing, lovely Kelsey Dylan back in 2014.
I’m still working my way through those older photos, making slow progress. So, here you go, Kelsey doing her wonderful thing.
Dirty Show Time
February 7th, 2016
It’s almost time for the Dirty Show in Detroit. I’ve had work in this show for many years, but a couple years ago I decided to stop entering it. I got talked out of that and entered again last year. But this year I did not enter. I will, however, have some prints available for sale at very low prices in the store that operates at the show. So, if you are going check out the store for some very good deals on prints of some of my best work.
I never felt like this show was really a good venue for my work, but they liked my work and kept after me to enter. So I did for many years. I never had much luck selling the framed prints off the wall, but the store was always good for quite a few sales. That’s why I decided to continue giving work to the store.
But the show itself is something to see. It’s huge. There are thousands of people there every night. It goes on for a couple weeks, opening several nights each week. There’s a lot of art on the walls, much of it quite good. And there are stage shows. Food and drink are available. Many of those attending come in costumes of pretty much every sort you can imagine. It’s quite a party.
Early on I realized it was a place to go in a group, so I always invited models and friends to go with me. That was always fun.
So, in 2014 when I had decided that was to be my last year of attending, I got some of my favorite people to come along. That included Ayn, Athena and Blueriverdream. In the photo above they are beside my framed print in the upper left.
I was just looking through older photos and realized that for some reason I never posted the photos from this trip that was supposed to be my last time at the Dirty Show. It wasn’t my last trip. I got talked into doing one more show last year. But, since it is almost time for the 2016 show, I thought this was a good time to finally share the 2014 photos.
Of course, with three of my best models there, I couldn’t pass up the chance to shoot a few nudes. And, yes, Athena was pregnant with twins who showed up not too long after this trip to Detroit.
Gallery Show in Vermont
February 4th, 2016
I was just notified that one of my photos has been selected by juror Peter Turnley for the upcoming show “Culture” at the Darkroom Gallery in Essex Junction, VT. This is an old favorite of mine taken way back in 1969 when I was working at the Newark (Ohio) Advocate as a photographer and spending my spare time helping monitor a playground for kids in the LEADS program, a community action organization. The kids were yelling, “Take my picture,” so I pulled up my Nikon F with the 24mm lens and snapped this as they all crammed in to get in the shot.
More Liv
February 2nd, 2016
One more post from my last shoot with Liv Sage. I hope to be working with this lovely lady many more times in the future.
And, yes, in case there is any doubt, lovely Liv is a true redhead.
A Softer Liv
January 29th, 2016
On that last shoot with the amazingly wonderful Liv Sage I pulled out my old single-element soft focus lens and played around with it for a while. It makes nice soft photos in a way that really can’t be duplicated in software. Of course, DxO had no idea what to do with these files, so I had to do manual processing on them. I may be the only person on the planet who has one of these lenses and is still working with it. And it doesn’t do any communication with the camera, so there’s no way the software could know what lens it is, even if they had it in their database, which I’m sure they don’t. But I do love this lens and the way it makes images.
These were processed in DxO, exported as dng files, then additional editing was done in ACDSee. So this is using a workflow free of Adobe, except for the dng format, of course, but that’s an open raw format, so I’m not bothered by being involved with Adobe through it.
