Farewell New York
August 24th, 2012
This will be the final post from the shoot near New York City with Erica and Venus. It was a great day of shooting with two wonderful models. The weather was perfect…solid overcast with occasional light rain. Just what I look for when I’m trying to shoot nudes in nature.
And, don’t worry, this isn’t the last you’ll be seeing of these two lovely ladies here. They joined me in Maine for a couple days of shooting a few weeks ago…so those photos will be coming along in good time. Lots of editing to get done before they show up here, though. And meanwhile there are some other things I’ve shot that are due a turn on the blog.
Thanks Erica and Venus for a great day of shooting and a bunch of fine photos.
Erica’s All Wet
August 19th, 2012
When I talk to models about working with me I try to always promise them that they can plan on getting cold and wet and dirty. I put my models through a lot to get the photos I’m after. Most of the models I work with understand what I’m after and what is required on their part to get it. I’m often surprised at how enthusiastic they are to do what is needed. And that attitude is one of the many reasons that I’ve enjoyed working with Erica Jay.
Of course, it doesn’t hurt that Erica is drop-dead gorgeous. That always helps when I’m trying to create a vision of beauty in nature. She’s a natural beauty who just belongs in a beautiful outdoor scene. But you can see that for yourself here.
At least it wasn’t all that cold for this shoot, though it wasn’t exactly hot and it did rain lightly on us for much of the day. But Erica certainly did get wet and dirty for the sake of art.
I’m so fortunate to have been able to work with Erica on this shoot and again during my recent trip to Maine. Those photos will be coming along in a bit as I slowly catch up on my editing. Meanwhile you might want to also check out Erica’s Tumblr for lots more fun photos of her.
Birth of Venus
August 14th, 2012
I couldn’t help thinking of that painting when I started looking at these photos of Venus de Milo from our shoot just outside New York City. Of course, these photos are nothing like the famous painting. But the model is Venus and she is splashing around in water. That’s close enough for me. There was this beautiful pond filled with lilies where we were shooting. So, of course I asked Venus to get in the water. Being the wonderful kind of model that she is, she just waded in and did some beautiful work for me, as you can see.
It was fun to change the angle and direction of the camera as well as the location of Venus in the pond, resulting in all sorts of interesting changes in the color and tone of the water’s surface and the reflections. It’s those kinds of changes that I’m always watching and studying.
And sometimes interesting things present themselves during the editing process. This last photo is simply a rotated crop of the first photo in this post. No special effects. No fancy PhotoShop crap. I don’t know how to do the fancy PhotoShop crap and don’t plan to learn. This is the sort of thing that I might have found when fiddling around in the darkroom printing from negatives back in the bad old days. Now I try to pay attention when I’m working at the computer so I see things like this.
There’s lots more to come from this shoot. As I put this post together I had intended to include both Venus and Erica. But instead I decided to feature Venus this time and the next post will be all Erica. She did a wonderful job on this shoot too. I’m so blessed to have such great models to work with. Thanks Venus.
It’s Been a While
August 10th, 2012
Sorry I’ve been gone so long. I’ve been really, really gone. As in very limited internet, cell service, hell, not even any TV. I’ve been off in the wilds of Maine. It was a great trip with a bunch of friends, both photographers and models. I’ll tell you more about that trip in later posts.
But, for today here are a couple photos I did of Venus de Milo and Erica Jay back in June when I visited my old friend, Dave Rudin in New York City. For those who think there is no where near NYC to do this kind of work…well, you’re wrong. This is only a short drive north of the city. I’ve shot there before and find it easy to find good locations and getting away from other people to work in private is not a problem. We were fortunate this day with the weather. It drizzled on us a bit and was solidly overcast the whole time we were shooting. Perfect light as far as I’m concerned. Add a couple beautiful, talented models and it was a great day of shooting. More to come from this shoot in the next few posts.
And there will be lots more of Venus and Erica since they were two of the models who made the trip up to Maine. After working with them this time, I knew I needed to get them back in front of my camera again. You’ll be glad I did.
More Crimson in the Gorge
July 31st, 2012
No time to write tonight. And it may be a while before I’m able to post again. Lots going on that you’ll hear about here eventually.
Meanwhile, here are a few more photos of the fantastic Crimson Reign from our shoot in the gorge. Enjoy.
Crimson on the Rocks
July 28th, 2012
After we shot at the quarry Crimson and I hiked to some of the wonderfully colored rock cliffs that make up this gorge. This despite the cut on her foot that she got when she slipped on some of the rocks around the quarry. I cleaned up and bandaged the cut using my first aid kit and she was ready to go ahead and continue with the shoot. She’s a real trooper. I really appreciate dedicated models like Crimson.
Of course it doesn’t hurt that she is also beautiful and skilled at posing. A great model. And I love what her great skin tone is doing with these rock backgrounds. Wish she lived closer…if she did I’d be shooting her all the time.
A Different Tone for the Gorge
July 24th, 2012
A couple months ago my friend Cherrystone told me about a model who was going to be visiting our area who he thought I might like to work with. As soon as I saw Crimson Reign’s portfolio I knew she could be a great addition to the project I’m working on at a beautiful gorge near where I grew up.
We got in contact and agreed that we were both interested in seeing what kind of art we could make together. And Crimson is the kind of model I love to work with. She’s dedicated to getting the photo. She’s not put off by getting up before the sun rises so we can be at our location for the early morning light. And she isn’t afraid to get cold and wet and dirty…which is pretty much a given for any models who work with me. Add to that the fact that she’s a very nice person and fun to be around. Oh and, of course, she is quite beautiful. I’m so very happy we got to do this shoot together.
I had been looking at this “lake” for a while. It’s actually an old quarry. I have no idea how deep it is, but it’s very deep…and there is no shallow part. It drops right off to those unknown depths. So the first question I had for Crimson was if she could swim. I needed to know if immediate rescue was needed if she fell in, or if she’d be able to tread water and make it back up on shore. She is a swimmer or I would not have had her posing in some of these spots. Fortunately, she didn’t fall in, so that wasn’t an issue anyway.
This was a very successful shoot so there are lots more photos to come in the next few posts. Crimson’s beautiful skin tones add a whole new dimension to the tonal relationships in this project.
I spent most of yesterday editing and preparing the photos from this shoot. I did it all in PhotoShop CS6, starting with Camera Raw and then finishing the files up in CS6 itself. I have to say again that I’m very impressed with this software. I know I’ve not even begun to explore all it’s capabilities. I’ll have to take a few of tutorials to get familiar with some of the new features. But for now it is allowing me to process my raw files and get the results I want without having to deal with the awful Nikon software that I had been using.
In the Woods with Ayn
July 20th, 2012
I’m actually getting caught up a bit with my editing. These photos of Ayn were shot just last month. We went out one morning to one of my favorite local spots to see what we could come up with. And it was a good shoot, as you can see. I hope to be working with Ayn a lot more in the future. She’s just wonderful.
And, on a photo geek technical note, I’ve once again changed the software I’m using to process my photos. I finally broke down and bought the upgrade to PhotoShop CS6. I installed it and used it to process the RAW files from this shoot as my first test of how it works. I know I’ve only scratched the surface of the capabilities of this program, but I have to say that I’m impressed. It lets me do everything that Nikon View NX2 does, but without the clunkiness of that awful program. It even lets me apply Nikon’s different profiles to the images. I have to grudgingly acknowledge that Adobe has a product here that is unmatched by anything else out there. I’m so pleased that I might even break down and get Lightroom and join all the rest of the photo world in using it. We’ll see. Maybe.
Really all I used to work on these files was Camera Raw, which has lots of capability that I’d never used before, and then a couple minor adjustments using levels in CS6. I’m going to keep working with it and exploring what’s new, so I’ll let you know what I think as I work through the next few shoots I need to edit.
In The Studio with Sugar Dumpling
July 17th, 2012
Sugar Dumpling was good enough to come by the studio so I could play around with a bunch of lenses on the Olympus. Of course, being the totally organized person that I am, I failed to take notes on which lens I was using for which photos, and since there is no lens data in the EXIF data when using the lenses on the adapters, I now have no real idea which lens I used for which photos.
But this wasn’t intended to be a serious test. I was just trying a bunch of lenses on the camera and seeing what happened. What happened was nice. In the studio with a model I didn’t have the issues with subject movement that Jake and Elwood presented. Models are pretty good at following orders when you tell them to hold still. So the percentage of sharp files was much higher. And the camera worked very well. I kept it on Aperture Priority and made no exposure adjustments. It does a great job of nailing the right exposure, even when presented with a high-contrast situation like this one. With most of my cameras I know I’d be making an adjustment to the indicated exposure to get a good file from this scene. Didn’t need to with the Olympus.
On that same day I also played around with some old Polaroid film that had been stashed in a corner in the studio for years. It was way out of date. I had some black and white, but when I tried to use it I couldn’t even get it to pull through the rollers…it just tore apart. So I tossed it. But the old color packs seemed to work ok. The colors are pretty far off, though in an interesting way. Here’s an example:
I haven’t quite decided what to do with this old film yet. I’m not really that into what it’s doing with the color, so I might just give it to someone who will make better use of it than I would. I shot this with my old Speed Graphic using a 90mm lens. This is pack film. I have a pack film holder that goes into the 4×5 back of the Speed Graphic. I even have the original overlay on the ground glass that shows the image area of the pack holder.
In other news, I finally broke down and ordered the upgrade to PhotoShop CS6. It arrived today, so I went ahead and installed it and used it to do the editing on both of these photos. It worked fine. I haven’t noticed much difference from CS4, but I assume there will be some things that will be better. I didn’t really do much to the files. Just an auto contrast adjustment on the Olympus file and some despeckling along with auto contrast on the Polaroid. Then smart sharpening on both files.
Of course, I’ll be getting into more work with CS6 soon and I’ll let you know what I think of it. With the way Adobe is going with their products and upgrade policies I’m thinking it’s likely this will be the last time I upgrade PhotoShop. We’ll see…
Jake and Elwood
July 14th, 2012
A little change of pace. Last night Jake and Elwood were playing in the park near my house. I stuck the old 85mm f/1.8 on the Olympus E-PL1 to see what I could do with it. Despite forgetting to go put out chairs at 6 a.m., I was still able to find some good spots for the folding chairs when I went down to the park around noon. They had good craft beer and Chicago hot dogs in the concession stands. I opted for Italian Sausage and a soft pretzel. The weather was perfect. And the band backing these clowns up was excellent.
With the the 85 on this camera the 2x crop factor makes it effectively a 170mm…and with f/1.8, that’s a pretty powerful lens. I love that old 85. I shot a lot of photos with it back in the day. It’s manual focus, of course. And it’s made out of metal. Big chunks of solid metal. You can use this lens for a hockey puck between shoots and never notice any difference. Of course, that makes it heavy and it was a little over-balanced on the little Olympus. And made it a lot heavier to hang around my neck for the evening. I’d guess this lens must weigh at least 3 times as much as the Olympus body. But I just took it off and hung it on the arm of my chair when I wasn’t shooting.
I set the Olympus to auto ISO, limited to 800 on the top end. I used aperture priority and varied the lens aperture between f/4 and f/1.8. Best results were around f/2.8 which gave me a shutter speed around 1/125 and a bit of depth of field to make up for the unavoidable focus errors. I focused by zooming in with the magnifier on the rear lcd screen. That let me get good, accurate focus…but then Jake and Elwood would move around, so there are a lot of slightly out of focus frames. Not the best system for this kind of subject, yet I was still able to get a few decent shots.
Obviously these are cropped a bit…but not all that much. And they were lightly edited in ACDSee Pro 5. Just a little bit of auto levels, actually. No sharpening, no noise reduction. The auto ISO selected by the camera ranged from 200 to 800. I didn’t use any exposure compensation, so the exposures were what the camera chose, and they are pretty much dead on.
I’m going to another concert tonight. An Eagles tribute band, Hotel California. I’m going despite not being much of an Eagles fan and actually seriously hating the song that the band chose for their name. But, what the heck, these concerts are free and fun. I thought about mounting my 200mm f/4 on the Olympus for tonight, but checked the camera bag and saw that it is locked up in the equipment locker at the studio, and it’s not worth the drive to the studio to get it today. I’ll save that experiment for another concert…or maybe a moon rise photo.
