In the bush

April 21st, 2007

On our third day at Big Bend we did some real hiking, climbing a small mountain to visit some interesting rock formations. Soon after we started off on the hike we decided to leave the trail and explore some rocks nearby that looked interesting. We found some good spots to shoot. It’s often the case that a short trip away from the main trail will yield excellent opportunities as well as get us away from other hikers.

Big Bend is a wilderness area. But, as we were walking back toward the trail after shooting I heard a woman going up the trail ask her companion, “Are they allowed to be off the trail?” How truly sad our world has become when someone would even think to ask a question like that in a wilderness area. Makes me afraid that soon all of paradise will be paved with signs ordering us to stay on the sidewalks. I sincerely hope I don’t live long enough to see that sort of thing happening in our desert southwest.

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In Ruins

April 19th, 2007

On our second day of shooting at Big Bend we stopped at an old abandoned mercury mine. We stayed away from the mine itself, but explored the many ruined buildings in the area. This is the doorway of what may have been a home when the mine was active.

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Rocky

April 17th, 2007

Have I mentioned the sun at Big Bend. The searing, brutal, relentless, glaring hot sun? I thought I had. Challenging light. From the moment the sun rose above the horizon until the moment it sank below it, it blasted us. It cooked us. It created lens flair. Hot highlights and dark shadows. Never a break. Now and then there would be a hint of clouds, but the sun would burn them off in no time.

This is on some rocks in the morning of our second day of shooting. It was fairly early in the morning. This was a great setting. With some relief from the sun, even a little bit of cloud cover or mist in the early morning there would have been lots of possibilities for compositions here. But the sun beating down on us dictated everything about the shot…camera angle, pose, composition all determined by the sun. And that’s the way it was at Big Bend.

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At the movies

April 15th, 2007

There’s an old movie set in the Big Bend area. It looked real familiar when we stopped there. I’m sure I’ve seen it in some westerns. It made for some good backgrounds. Here’s Niecy in front of the “church.”

This is the last of the photos I’m going to post, at least for now, from our first day of shooting at Big Bend. I’m still editing the shoot. The next post will be from our second day, after Rose had joined our little photo party. After I work through the rest of the Big Bend shoot I’ll circle back and work on the earlier shoots on this trip, the Ozarks and the Houston area. Lots more photos to come from all of that.

It appears that all went well on Friday the 13th and on Ruination Day yesterday. We can relax now, maybe.

And, finally for today, thinking of Kurt Vonnegut who recently died after a long lifetime of challenging and inspiring us, here is one of my favorites of his many wonderful quotes:

“Listen: we are here on Earth to fart around. Don’t let anybody tell you otherwise.”

OK…sorry, here are a couple more:

“Hello, babies. Welcome to Earth. It’s hot in the summer and cold in the winter. It’s round and wet and crowded. At the outside, babies, you’ve got about a hundred years here. There’s only one rule that I know of, babies — ‘God damn it, you’ve got to be kind.’ “

and,

“There is no way a beautiful woman can live up to what she looks like for any appreciable length of time.”

Kurt is up in heaven now… 😉

And, so it goes…

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Niecy in Closed Canyon

April 13th, 2007

Here’s another photo of Niecy in the slot canyon we hiked on our first day at Big Bend. It was one of the very few places in the area where we were at least partially out of the sun while outdoors. But the canyon wasn’t as deep, as narrow or as colorful as slot canyons I’ve photographed in the red rock desert up around the Utah/Arizona border. Still it offered some shelter from the sun and some photo opportunities.

It’s Friday the 13th and tomorrow is Ruination Day…so you all be careful out there.

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Niecy inside

April 12th, 2007

Getting away from that hot Big Bend sun.

I’m only about half way through looking at my photos from Big Bend. I’ve been posting just shots from the first day of shooting for several days now. Many more to come. It was a very productive shoot, despite the harsh conditions.
And there are still lots more to edit and share from the Ozark and Houston-area shoots on this last trip. Should keep me busy for a couple more weeks just sorting through the photos.

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Big Bend Panorama

April 11th, 2007

Here’s a view of morning in Big Bend. This was shot from near the old cemetery in Terlingua Ghost Town. The ghost town is not so ghostly these days with a gift shop and a number of restaurants along with many residents. I think they are really going to have to give up calling it a ghost town soon. We had breakfast one morning in the building to the right. That’s where we met the cook who had rolled his truck and the welder getting away from it all but hanging on to his bluetooth earpiece.

I did a real quick merge job on this pano, so the seams aren’t real good. I shot it hand-held, but I think when I get time to play with it I will be able to get a good clean merge. I may adjust exposure on a few of the frames before I merge it again to even things up a bit better. But not bad for a quickie assembled with the free software that came with my Canon G6. I used the Nikon D200 and 18-200 lens for these shots.

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Niecy in a doorway

April 9th, 2007

Here’s Niecy Moss hiding from the sun in the doorway of an abandoned building in the Big Bend area. I’m just starting to edit the work from Big Bend and will be posting more as I work my way through. Thanks, Niecy, for dealing with that sun and heat and doing a great job of posing.

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Niecy on the rocks

April 7th, 2007

Here’s Niecy Moss on some rocks in the Big Bend area. I’ll be posting lots more from Big Bend over the next few weeks. It was a great shoot, despite the harshness of the place.

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Why I use digital cameras

April 6th, 2007

It occurred to me that the photo in my last post is a good example of why I chose to use digital tools to make my photos. There are all sorts of cameras available and all sorts of reasons for choosing one over another. Some photographers like a challenge and chose equipment that requires much of them. Others find a particular camera fits their shooting style or subject matter better than others. All those are valid reasons for making choices.

Myself, I’m lazy. I try to tell myself that I’m lazy in a good way. I like to use the tool that makes the job easy to do. I don’t mind at all getting up at 5 a.m. and climbing a mountain to get to the right spot to take a photo. But when I get there I want to use the camera that requires the least attention from me, that weighs the least for that hike, and still does what I want it to do. It also helps that I don’t have to buy film, haul it up the mountain, then pay to get it processed.

But, there is also the matter of producing the image I want. In this case, the sun at Big Bend was so intense that it washed out all the colors in this scene. The eye just could not record the detail because it was so damn bright, even in the shade.

Here’s what that photo looked like straight out of the camera:


And here’s the histogram that Photoshop showed for it:
You can see that all the tones in the photo are within the dynamic range of the sensor. It’s a real flat image. The brightness isn’t there because I exposed to make sure all the highlight detail would be captured.
Here, again is the photo after I adjusted it in photoshop:

And here is the histogram after the adjustment:

All I did was move the three sliders at the bottom of the histogram to get the results I was after. That’s it. No playing with colors or other fancy stuff. I’m not all that good with Photoshop. I stick to basic adjustments like this. You can see that I chose to sacrifice some shadow detail to improve contrast while I was careful not to lose any of the highlight detail. A lot of the judgement in working with a photo like this is in the choice of where that mid-tone slider ends up.

Now some of you may recognize that what I’ve done here is basic zone system stuff. But I can do it on a color image. You can’t adjust development times on color photos to control contrast. But you can make those changes in Photoshop.

If this were shot on film I’m sure a very good custom printer could have extracted that detail and color from the negative (probably not from a slide, though). But that would have been expensive and would have involved a lot of communication between photographer and lab to get what I was able to do in 15 seconds on my laptop in my camper parked in a Flying J parking lot.

So, I think I’ll stick with these tools. There’s a reason it’s called progress.

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2026 Calendars

Calendars are now available for 2026. You can see them and order your copies here:

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About this Blog

Photos and comments by Dave Levingston. This is the place to see my most recent work which may include nudes, dance, landscape, nature and whatever other kinds of photos I feel like taking.

Since it does contain nude photos, this blog is not intended for viewing by anyone under the age of 18.

All photographs and written comments on this blog are protected by the copyright laws of the United States.


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